Category Archives: book reviews

Why “Prelude to Dune” sucks

Originally published 2003-09-07


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PRELUDE TO DUNE is a trilogy written as a prequel set one generation before the events in Frank Herbert’s classic sf opus DUNE, perpetrated by his son Brian Herbert and a co-writer. They’ve now written another trilogy set thousands of years earlier in the Duniverse at the time of the Butlerian Jihad (LEGENDS OF DUNE). These books were obviously always going to be a rather cynical ploy by the publishers to cash in on DUNE’s continuing popularity, but did they have to suck this bad??

Herbert fils and his accomplice may have had access to Herbert pére’s notes on the Duniverse, but must have only read the actual novels in the most cursory fashion, and seem to have understood the themes and society not at all. I can think of no more damning indictment than to say Frank Herbert would have hated these books carrying the DUNE name.

There is no appreciation of the subtleties of semantics and politics that Herbert pére unfolded so elegantly: all the PRELUDE characters have the grossest motivations, dialogue and actions. The authorial voice lacks descriptive power, unable to evoke more than generalities of location. Because of the scope of the Duniverse, the PRELUDE TO DUNE books can appear as superficially impressive space opera, but compared to the original six DUNE books they can only be described as jejune.

Worst of all, if a reader were to come to these books before reading DUNE itself, that great book would be ruined for him by clumsy foreshadowing and unforgivable continuity bloopers.

SPOILERS ALERT: if you have not read DUNE plot spoilers are included in the following material. Do not scroll down further if you do not want important plot details revealed.

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In the original DUNE, Paul M’uadib Atreides must penetrate millennia-old veils of secrecy regarding the properties of the spice melange, commonly viewed in the Imperium as a life-prolonging drug (thus priceless) with minor mind-enhancing side-effects of curiosity value only. The two groups most dependent on the hidden properties of spice, the Bene Gesserit Sisterhood and the Spacing Guild, have kept the secret of how melange enables prescient visions entirely to themselves, using their knowledge of future events to manipulate Imperial politics. DUNE is clear that only someone trained as Paul was — a Mentat-Warrior, with the aid of his mother’s Bene Gesserit abilities, and brought to maturity in the crucible of Fremen culture — could piece the puzzle together and use a threat to the existence of spice itself to force the Guild and Sisterhood to catapult him to the Emperor’s throne.

But in PRELUDE TO DUNE, apparently everybody — the Emperor, the Landsraad, the Tleilaxu — already knows that melange brings prescience to the Guild and Sisters. So much for the central mystery of DUNE.

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In the original DUNE, Paul’s mother Jessica was pregnant when she took the spice drug that changed her consciousness and transformed her to a Reverend Mother, with access to ancestral memories and the serially transmitted memories of a train of Reverend Mothers extending millennia. Her daughter Alia was born with all these memories also, and in CHILDREN OF DUNE tragically succumbed eventually to possession by an ancestral personality, losing herself in Abomination. The books make it very clear that the Sisterhood of this era was well aware becoming a Reverend Mother meant that further children would be ‘pre-born’ in this fashion, that this was so horrific that such children were routinely executed, and so were very careful to ensure that Reverend Mothers bore no children.

Yet in PRELUDE TO DUNE, Reverend Mothers are bearing children all over the place. Seems to make Leto II’s renouncing his humanity in GOD EMPEROR OF DUNE so he can guide his breeding program for a thousand years rather pointless, what? I can only assume that Herbert fils and friend failed to read deeply enough and thought that only actual pregnancy when taking the Water of Life resulted in a pre-born, or else looked at the last two novels, set thousands of years after Alia when the God Emperor’s breeding program had succeeded in eradicating the danger of Abomination, and thus Reverend Mothers were no longer restricted as breeders, and totally overlooked the earlier significance of the taboo. Either way is sloppy, very sloppy.

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In DUNE, Thufir Hawat is unaware of the Bene Gesserit Voice until Jessica demonstrates that she can use it to control him. Paul only knows of it because Jessica, in defiance of Bene Gesserit guidelines, has told him. It is a big, big secret, hiding behind superstitious stories of witches’ spells that the Sisterhood encourages in order to keep others guessing and underestimating them. The Sisterhood can implant false memories and speech inhibitions in anyone to whom the Voice is revealed, therefore the secret is kept very effectively.

Yet, in PRELUDE TO DUNE, Piter de Vries not only knows that Voice exists, but knows how to block it using special earplugs that will enable normal speech to be heard but will not admit the controlling extra-perceptual overtones of Voice.

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More blunders:

  • The Tleilaxu as overt religious fanatics rather than a people hiding their deep religious fanaticism from all the universe. How on earth are later characters in the Duniverse meant to not know what many characters in this prequel discuss as common knowledge?
  • Paulos bullfight but no Leto revenge on bull

It gets worse. I can’t go on. Prelude to Dune really sucks.

Review: Harry Potter and the Order of the Phoenix

Originally published 21st June 2003


REVIEW PART 1 6:30pm Sydney (Halfway through the book): Life is looking even bleaker for young Harry Potter. The malevolence he has battled all his life seems slimier and more powerful than ever. When he defends himself and his vile cousin Dudley against magical attack in Privet Drive he is threatened with expulsion from Hogwarts and is put on trial by the Ministry of Magic.

Older wizards and witches reform the Order of the Phoenix to combat Voldemort, but although they are sympathetic, aren’t telling Harry what he needs to know about You-Know-Who.The wizard newspaper The Daily Prophet has painted him as mad or an aggrandising liar for his claims that Cedric Diggory was murdered by Voldemort, slurs which find a ready ear among wizards who fear the return of He-Who-They-Must-Not-Name so much they’d rather pretend it wasn’t happening.

When Harry is acquitted and returns to Hogwarts he finds half the students think that he’s a liar and that Dumbledore’s a fool, and the Ministry has appointed a Hogwarts High Inquisitor who seems avid for every opportunity to punish Harry for talking of Voldemort’s return. Dumbledore is distant, Harry’s godfather Sirius is laying low in London, and where on earth is Hagrid?

Amongst these high dramas petty goads like missing out on prefect, romantic misunderstandings and the inevitable bullying by Draco Malfoy seem like the merest pinpricks, yet Harry’s reactions to these mundane events are some of the more moving passages in the book. Perhaps because we see glimpses of the ordinary adolescent under the skin of the reluctant hero, and we know him. Of course we want Harry to win the big battles, but it is the small battles of respect and recognition that touch us most, because we’ve all fought them.

Rowling indulges herself with some slyness regarding the gullibility of conspiracy theorists through the new character of Luna while showing Harry living a conspiracy theory for real: people really are out to get him but the rest of society thinks he’s making it up. But why is the Minister of Magic so unreasonable? What’s Hagrid up to out in the Forbidden Forest? Will we finally learn which side Snape is really on? How many new decrees can the High Inquisitor pin up in a day? How long will it take Hermione to discover who’s taking the hats she knits for the Gryffindor house elfs (after all her homework is done, of course)? Which House will win the Quidditch Cup? And which friend of Harry’s will die, as has been rumoured for months?

Although this is an enormous book, the narrative is a real page-turner. It was with great difficulty that I put it down to write this review nine hours after getting the book, and I want to get back to finish it quickly. There is no gratuitous padding, the prose is clear. The menace is dark and all-pervasive: younger children probably will not like this book (even the Quidditch is depressing, and the Weasleys are having family problems!). But after all, Rowling has always said that she aims each book at readers the same age as Harry in that book, so moody adolescents should love it.

The usual criticism that the villains are one-dimensional can be leveled, but the Harry-Ron-Hermione triad gains in depth yet again. So far, definitely worth the read. I will update this page with Review Part 2 later tonight or early tomorrow Sydney time. I will also post photos of the Gleewarts Express Book Launch at Sydney’s Central Station, attended by nearly 1000 people.


 

REVIEW PART 2 Midnight Sydney (Book Finished): Well, I wasn’t expecting that. I totally failed to predict who was going to end up dead. Rowling toyed with me throughout the final quarter of the book as Harry’s allies fell like flies: who was just unconscious and about to come to, step in and save the day? who was actually dead and gone forever? Any of Harry’s young friends or esteemed mentors would have been a tragic loss, but the death of this one dear person is utterly devastating for Harry. Even though this death finally means that Harry learns the full truth about his perverse bond with Voldemort.

As for the one-dimensional villains: I don’t think that really matters. If you grant her the premise that incontrovertible evil exists in the world, Rowling appears concerned with exploring different characters’ reactions to discovering the reality of evil rather than exploring in depth the seduction into evil deeds. And the different reactions to the return of Voldemort are finely drawn and credible in their variety. The depth of the flaws in wizard society is becoming more and more evident to our young heroes, and promises much development of this theme in future books. Wizardly flaws are also food for thought regarding our own society.

The more cheering side of the book: what I really enjoyed was that Harry’s friends GROW so much in this book. The friendships, sibling bonds and shift to full-fledged magical warriors really drive the plot, so much so that the final confrontation with Voldemort seems almost tacked on (although I like the symbology of the fountain). The movie of this book will be a buddy flick.

In the end, (without giving away essentials) the Quidditch improves, Harry discovers more of his destiny, and the Durstleys get a nasty surprise. And there’s lots left for Harry and friends to explore in the next two years at Hogwarts before they take their final exams.

Vagrant thoughts after sleep: Most euphonic character name – Nymphadora Tonks. Best punning name – Professor Umbridge. Most surprising sibling – Percy Weasley.

BOOKS: always carry one

Originally published May 2003


Books are one of my greatest pleasures – in fact, far more often than I ought to be, I am found caught up in a book; sometimes purely for escapism, sometimes for information, sometimes for contemplation and sometimes just serendipity.

I largely “got over” fiction a few years ago – I still read it, I still mostly enjoy it, but it has to be superbly written now for me to get lost in it: my inner critic gets jolted out of the willing suspension of disbelief far too often by clumsy prose, slipshod research and implausible characterisation. The few rare occasions when I am swept up entirely in the narrative are precious discoveries, to be savoured.
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